Not universally. I live in Alabama and the privately owned power company is very corrupt. We have some of the highest power bills in the US, with the biggest difference being not cost but profit margins. Water in my county is fairly priced IMO, but I’ve heard other counties aren’t so lucky.
+1 for audiobookshelf, after using tools like Plex for a long time I was honestly shocked by how much more user friendly it felt. And it’s a one man team! The only significant demerit is that the IOS app is stuck in test flight limbo, so you have to find another player. Though most do that already I think.
I’ve never tried it, but my father tells me that if you use ABS and include the ASIN in the metadata there’s a tool (possibly built in?) that can fetch chapter timestamps
I use StoryGraph for my personal library management, but Goodreads simply has better coverage of both total books and specific metadata. But Audible is the best source anyway, as it has data specific to the audiobook other sources rarely do. I’ve included Goodreads mostly as a fallback for books Audible doesn’t have listed. One of the roadmap items is to add other sources, like Google books. At that time I would consider a source separate from Amazon/Google if a quality one can be found and conveniently called/scraped.
Metadata is written to the file at the time of operation, so Goodreads failing would not affect any existing metadata sourced from it. But Audible is the preferred source anyway, as it has metadata specific to the audiobook typically not available in Goodreads. I’ve included it as a backup for books (mostly older ones) that are not available on Audible. Goodreads allows user submissions and thus has just about every book available in its library.
It can do some metadata matching, but to my knowledge it doesn’t do any of the big ticket items like combining chapter files
Mullvad VPN. $5 a month for 5 concurrent high speed connections. No fake sales, no BS.
Music streaming services are close. As I understand it the artists don’t get a great deal, but as a consumer ~$12/m is on the high end of reasonable for unlimited access to high quality music. And unlike with television streaming services there’s very little exclusivity bullshit. You can listen to most anything most anywhere.