Could they not think of an original name? Calling it YouTube-dl is just unnecessarily lazy and confusing. This appears to be mostly a docker image of yt-dlp, which is itself a fork of youtube-dl.

For normal albums: Artist/Year - Album [release ID if necessary for ambiguity for various versions of an album]/Disc-track - title.extension . Compilations (soundtracks, promo mixes from shows, etc.) get “Various Artist” as the album artist and sorted under “Various Artists” of the top level of my albums directory. Stuff from other sources would sometimes get their own special directory at the top level outside “albums”.

Tags are everything, that’s where the in-depth data is. album folders hold extra art, inserts, metadata, etc.

I don’t really make manual playlists using relatively pathed m3u anymore because support is inconsistent across the apps I’ve used to listen to my library. These days Plex, jellyfin, ncmpcpp (tui front-end for mpd) all handle their own playlists. Those are mostly just spontaneous groupings or automated shuffles I don’t really keep track of.

Back in the day I made mixtapes on actual cassettes, recorded from the radio, my CDs, and later tracks I found on Napster and soulseek. Later I moved on to making tons of playlists in foobar2000. Some of those playlists probably still litter my hard drive (now dead text because the files having long since been reorganized and moved). For the really good tight playlists I made of that era, I’d make physical mix CDs that I would master with sound forge. Had a few people that would trade these around. Make a mix, master, make many copies, distribute. Those CDs often died in cars and turned into coasters, so I’d keep the bin and cue files of the masters to make replacements. Those tracks would ultimately get turned back into mp3 or flac depending on quality and tagged with my own title, cover art, etc. and get filed away in the Various Artist folder. Then I got an mp3 player and it’s been either full album listening or dynamic playlists for me ever since.

I still make yearly playlists in Spotify as I discover new stuff or rediscover old stuff, like a musical diary. Those playlists inspire library additions via the artist directly, Bandcamp flac files, or other means.

These are also pretty good at shielding you from biting insects and fascist police state spy cameras.

It’s got the juice!

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Projecting much? I don’t see any of that shit in OP’s photo. Maybe talk to your therapist about why a children’s toy triggers such intrusive homoerotic and beastial thoughts in yourself. This is not a healthy reaction to a child’s toy.

1. You’re bad a being a troll.
2. Googling it doesn’t actually produce an answer that makes any fucking sense of this “joke”.
3. Same energy as those idiots that answer “I don’t know” when Amazon asks them to help review a product.

Why immediately shame the guys choosing the unicorn as the weird guys? And add in a little homophobia to boot? That is exactly the problem with defining gender stereotypes based on sex at birth. There is absolutely nothing wrong with a boy wanting to dig a terrifying and deadly fae creature with a fucking sword on its face from the heart of a dead giant. There is also nothing wrong with a boy wanting to dig a majestic pony from out of a pink heart shaped cocoon.

You’re the one perverting this into something about grown men having fantasies about fucking horses. We all know bronies exist and their tastes may not be for everyone, but that’s a poor excuse for this brand of cringe hate mongering.

Calling a Ruby Tuesday’s a restaurant is kind of like me calling myself a carpenter because I’ve assembled a few pieces of Ikea furniture. It’s basically sit down fast food with a liquor license.

Tech company surveillance and data collection is government surveillance and data collection.

Dead or damaged media can repurposed and sold as an new thing. Art and craft items using old vinyl, cassettes, floppy disks, etc. as a medium to create something new is growing in popularity too. If you can find someone making that kind of art at a show, I’m sure some kind of mutually beneficial arrangement could be made so that you both can profit off that dead media.

Cab Calloway was a legendary band leader in his own right, far beyond his minor role in a Saturday Night Live sketch turned cult classic. His picture belongs in the encyclopedia for skat.

The band was playing a bunch of songs before the brothers arrived, the brothers just performed the “last two songs”. We see Cab Calloway warming up the crowd with one of those other songs. It was all for a good cause and I’m sure the outlaw nature of the duo was no surprise to anyone. We as the audience are “in on it”, seems safe to assume the on-screen audience is kind of “in on it too”. “Orange whip? Orange whip? … Three orange whips.”

As if that stops police from using it to target randos or prosecutors from using it in court. The executive branch REALLY loves its junk science.

So much safer to go one album at a time using Picard. Picard makes it easy to go down the list of a disorganized directory, identify most things automatically, allow in depth review and modifications to what Picard came up with, and standardize file naming. I’ve tried to let programs like Lidarr and beets automate it, but they always ends up causing more and more complex problems to discover and solve after awhile. Music releases are complex and sources are diverse, using distinct standards of form and format. It’s not a problem that can realistically be solved for my entire music library without the guiding hand of a librarian. I could listen to my library for over six months without repeating, even 1 album out of a 100 mis-tagged or misidentifyied could take me years to discover.

I do like to automate the less critical and more machine oriented library tasks like adding genres tags, replaygain, and lyrics as you do. Just not things like the metadata tags, file naming, or album art (embedded or otherwise).

For me the wildest aspect of the Hyperion portals was that there was essentially only one portal. Hyperdimensional godlike artificial super-intelligences swept the portal across each doorway like some sort of cosmic lighthouse, mimicking the theory that there only exists a single electron in the universe that travels backwards and forwards in time to be every electron for everything everywhere all and once. Also, those articlfical intelligences shared their environs with other older beings referred to as “Lions and tigers and bears.”

I don’t want to know about Sam Neill’s controveries.

This is a non-sensical question. On a social media service YOU are the product. You’re characterizing the content as the product. But the content is merely the advertisement or bait for users, who are the real product, being sold to advertisers and countless other organizations. Why do you think reddit started charging for API access? Same goes for ads on Facebook, Google services, Instagram, TikTok, etc.

These days I try to buy either DRM free flax files. If I really like the art or the artist in addition to wanting to regularly actually listen to as an album, then I may try to buy vinyl + flac files. If it’s at a show I’ll buy whatever is available that I can play because at that point it’s more about the merch than music. I’m probably going to pass on the wax cylinders and I may think long and hard before buying a cassette.

Wow, if the demo was too much for the developers to maintain that doesn’t inspire confidence in my patience to maintain it on my machine.